Monday, July 29, 2019

Essay about baraka movie Example | Topics and Well Written Essays - 1000 words

About baraka movie - Essay Example And there are film makers who bring these real life environment without any pre written script, capturing the real life happenings as it is. These novels attempts by the film makers comes loaded with fetes and critics, giving different perspectives. And this paper will look at the real life captured visual film, Baraka captured or picturized by Ron Fricke, by analyzing in what ways does this film support its meaning of blessing, and how the the title is actually realistic and not ironic. Baraka, directed and ‘canned’ by Ron Fricke is a purely cinematic visual film shot in high definition wide screen format. Being a visual film, it has no verbal sounds with only music for accompaniment. Shot in 24 countries, it contains footage of people from different countries, in places, where there is mass conglomeration. That is, the visuals are mainly composed of people en masse doing some kind of activity in different locations of the world. The different locations include various landscapes, urban places, places of religious importance, in total mostly natural locations. The camera was used like a person’s eye, capturing every movement of humanity as they are indulging in their day to day activities like a father riding his son in a bicycle in India to a Indonesian women working in a cigarette factory . The film apart from showcasing the beautiful side of the natural and artificial elements featured in it, also focuses on the locations with darker side lik e Auschwitz in Poland. The naturalness and authenticity of the film is further optimized by the addition of natural sounds like the onsite recordings of The Monks Of The Dip Tse Chok Ling Monastery, which flows along with the background score. So, Baraka is a film, which presents visually stunning and thought provoking images of natural elements, conveying to us how we are ‘blessed’ to have these natural settings, and thereby supporting the

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