Purposes of Images and Imagery in Shakespeares Macbeth :: GCSE English Literature Coursework

Purposes of Imagery in Macbeth The Shakespearean tragic drama Macbeth uses tomography to stisfy various needs in the play. This essay lead develop the above premise, including exemplification and literary critical thought. In The Riverside Shakespeare Frank Kermode enlightens regarding the imagery of darkness in the play Macbeth is the last of the four immense tragedies, and perhaps the darkest. Bradley began his study by pointing out that almost every last(predicate) the scenes which at once recur to the memory take place either at wickedness or in some dark spot. That peculiar compression, pregnancy, energy, even violence, which distinguishes the verse is a further contribution to the plays preoccupation with the fears and tensions of darkness. (1307) Lily B. Campbell in her volume of criticism, Shakespeares Tragic Heroes Slaves of Passion, describes how the imagery contributes to the cash dispenser of the play Macbeth is, however, not only a study of fear it is a study in fear. The sounds and images in the play combine to give the atmosphere of terror and fear. The incantation of the witches, the bell that tolls while Duncan dies, the cries of Duncan, the cries of the women as Lady Macbeth dies, the owl, the knocking at the gate, the wild horses that ate each other, the story, the quaking of the earth - all of these are the ordinary accompaniments of the willfully fearful in literature. (238-39) A.C. Bradley in Shakespearean Tragedy comments on the dark imagery of the play The vision of the dagger, the murder of Duncan, the murder of Banquo, the sleep-walking of Lady Macbeth, all come in night scenes. The Witches dance in the thick air of a storm or, black and midnight hags, receive Macbeth in a cavern. The blackness of night is to the chock a thing of fear, even of horror and that which he feels becomes the spirit of the play. (307) L.C. Knights in the essay Macbeth explains the supporting role which imagery plays in Macbeths descent into da rkness To listen to the witches, it is suggested, is like eating the insane root, That takes the reason prisoner (I.iii.84-5) for Macbeth, in the moment of temptation, function, or intellectual activity, is smotherd in surmise and everywhere the imagery of darkness suggests not only the absence or withdrawal of light but - light thickens - the presence of something positively oppressive and impeding.